The Library



26. September – 24. November

National Museum - Architecture

Contributors: edit / atelier, citygroup, Marius Dahl, Jan Christensen, Paulo Moreira, Helen Stratford, Kalle Grude, n'UNDO, James Carey, Ben Bridgens, Bauman Lyons with MassBespoke, ON CITIES, Hamedine Kane, Stéphane Verlet-Bottéro, GISTO, Fragment, The Empire, U67, Skyline, The Family, MANN office, Ruth Baumeister, Ashley Schafer, Library Stack, Hanna Hallin, Vincent Prats, Carlos Ruiz-Alejos, VeloCity, Maegan Icke and Rachel Jones-Jones, Lydia Kallipoliti, John Rhett Russo, Andreas Theodoridis, (ab)Normal in collaboration with Ludwig Engel, Pep Avilés, Laia Celma, Miranda Esposito, Marc Miller, Allard van Hoorn, Yujia Bian, Lateral Office, Leong Leong, Jesse McCormick, Khoi Nguyen, Vestbredden, PLAT Journal, Madeleine Kessler, Mio Ysuyenama, Hans-Christof Schulz, BC Architects, YYYY-MM-DD, Arkitektbyrå Lilla Sthlm, Chris Allen (FCBStudios), Stuart Maclure (Long Live Southbank), SMAQ (Sabine Müller, Andreas Quednau), Architecture Uncomfortable Workshop, EDIT, Bart Decroos and Laura Muyldermans, Henry Lefroy-Brooks, Stiftelsen Ormsundveien Økogrend, Atelier Fanelsa x Löwen.haus, Marianna Janowicz and Agata Konczal, Anna Ulak, Nanotourism, antipodes café, Alexander Eriksson Furunes, Lucy Bullivant, Mattias Josefson, Hajir Kheder, Hunguta (Tomà Berlanda, Khensani de Klerk, Nerea Amoros Elorduy, Tao Klitzner, Scott Lloyd, Maxwell Mutanda, Sunniva Viking), Magnar Gilberg, Bjørn Inge Melås, Bjørg Nyordet, Alexander Rullan Rosenlund, Benjamin Wells, Karakusevic Carson Architects, Civil Architecture, Global Free Unit, Orrizontale, Public Works, Studio Tomas Saraceno, Edwina Atlee, Beata Labuhn, Norell/Rodhe, Janette Kim/Urban Works Agency, Intentional Estates Agency (Tei Carpenter, Jesse LeCavalier, Dan Taeyoung, Chris Woebken)


Oat 2019 Programme Launch A 16 9

The Library will explore how libraries can play a central role in breaking free from the growth paradigm. During the eight week programme of the Triennale, The National Museum – Architecture will undergo a complete transformation from a gallery of architecture past and present to a library of architectural futures. The library is organised into four collections: the subjective, the objective, the systemic and the collective. Each of the four collections will be richly populated with drawings, models, materials, artefacts, devices, and ideas exploring the architecture of a Degrowth economy to be critiqued, measured, studied and enjoyed.

The Subjective Collection
I am a subject. I am a constellation of thoughts, memories and perceptions. I am affected. I effect. I stand alone. I am the unseen hand, the consumer, the voter. I am the centre of the universe. I am a drop in the ocean. I get scared. I get angry. I love. I ask, how do I care and cultivate? How do I change? How do I relate? How do I perform? How do I succeed, or fail? How do I play? Can I play?

The Objective Collection
It is an object. It is bold. It is elastic. It is durable and fluffy. It is soft, tough and warm. It dirties. It cleans. It is empirical, logical and ingenuous. It has a mass, texture, compressive strength and carbon footprint. It disintegrates. It sticks together. It is maintained or neglected. It can be seen, touched and studied. It builds new forms. It supports systems, old and new. It nourishes ecology and expresses imagination. How does it perform? How does it sound? How does it help? Is it alive?

The Systemic Collection
These are systems. These are networks. These are environments — natural and built. These are technologies, economies and governments. These are the connections between things; infrastructures that order, orchestrate and incentivise. These are cities. These are the means of control, resistance, production and liberation. These propose new strategies, structures and economies. They question norms. They ask if new systems could refashion a built environment that incentivises social and environmental justice?

The Collective Collection
We are collective. We share. We exchange. We depend. We have things in common. We communicate and connect. We argue. We are greater than the sum of our parts. We are a family, a group, a tribe, a people. We are a tapestry of meanings, languages, relationships, values, and cultures. We create spaces for living together, for promoting social bonds, for sharing food, goods, ideas and company. We perform cultural rituals. How do we collaborate? How do we build common and democratic systems? Can we empower each other?

The Collections are part of the core programme The Library: